Prompts de storyboard com IA: o que errou e o que acertou no nosso filme

Cooke S4 75mm macro, T2. Extreme close-up of a hand turning the focus ring of a Cooke S4 prime lens mounted on an ARRI Alexa, engraved distance numbers on the lens barrel in sharp focus, follow focus gear, warm practical light reflecting on the metal, shallow depth of field.

Cooke S4 50mm, T2. Close-up from the side of an ARRI Alexa 35 cinema camera rigged on a dolly with matte box, rods and a professional follow focus unit (ARRI style follow focus with a large knurled focus knob and a white marking disc with pen marks) whose gear meshes with the gear ring of the Cooke S4 prime lens. A real human focus puller's hand turns the follow focus knob on the side of the camera; the hand does NOT touch the lens barrel. Warm practical light on the metal, shallow depth of field, the lens gear and follow focus gear clearly engaged.

Cooke S4 32mm, T2.8. Wide shot of a film set as the lights switch on one by one in sequence, revealing a crew made of translucent glass human figures with a soft inner cyan light, standing at their posts: one at the camera, one at the video village monitors, one at the art department table. Elegant, quiet, believable, like real crew members made of glass.

Cooke S4 32mm, T2.8. Wide shot of a working film set as the lights switch on one by one, revealing a HYBRID crew side by side: real human crew members (a gaffer adjusting a light, a focus puller beside the camera, a woman at the video village monitors, ordinary film crew clothes, black t-shirts, real skin) working together with life-size translucent clear glass human figures with a soft inner cyan glow at the art department table and at the dolly. The contrast between real people and glass figures must be obvious and believable.

Cooke S4 32mm, T2.8. In the middle of the dark film set, a three-dimensional structure of thin silver lines and small glowing cyan nodes assembles in mid-air like a physical architectural model of an automated customer service workflow, glass crew figures around it adjusting connections, haze catching the light.

Cooke S4 32mm, T2.8. In the middle of the dark film set, a three-dimensional structure of thin silver lines and small glowing cyan nodes floats in mid-air like a physical model of an automated customer service workflow. A HYBRID team works on it together: two real human crew members (a young developer with a laptop and a producer in a dark jacket, real skin and clothes) and two life-size human figures made entirely of clear transparent glass with a soft inner cyan glow, all adjusting the connections. Haze catching the light.